NOTTURNO PER LA TERRA
Agrigento Capitale Italiana della Cultura 2025


Year 2025
Agrigento


Who is allowed to rest, to sleep in peace? Who do we care for, and who cares not? The Silent Room stems from these questions, confronting the unequal distribution of rest, care, and silence in our lived realities.

Agrigento is a city of many fragments, socially and urbanistically divided, with the Valle dei Templi cutting through its fabric and producing isolation. As Pirandello observed, identity cannot exist when one remains invisible to others. In Agrigento, this invisibility reverberates as silence across the valley.

Placed in the Valley of the Temples near the Archaeological Museum, The Silent Room offered a collective space for pause and tenderness. Built as a simple wooden structure covered with blankets, its soft walls carried the traces of workshops held across the territory. It honours fragile voices and vulnerable hands as quiet acts of resistance against systems that divide and exploit.

Two workshops stitched these fragments together:
In Villaseta, at the Biblioteca Sociale, a lullaby workshop with residents, migrants, and Erasmus students under the guidance of Michele Piccione and Veronica Racito grew into Coro Villabella. Their recorded lullaby resonates inside the Silent Room, intertwining with a piece by Youmna Saba.

In Aragona, a collective embroidery workshop gathered a community of women working in care around long tables to stitch a blanket, a fabric of protection and storytelling, where gestures of tenderness became a shared work.
Standing like a lighthouse in a land of arrivals, The Silent Room reflects Agrigento’s position on the Mediterranean threshold. It affirms that even the most fragile gestures, a song, a stitch, a silence, can become a form of resistance, and a way of imagining care anew.



Silent Room V.01





Project: Nathalie Harb 

Commissioned by Fondazione Agrigento capitale 2025 and Italian Ministry of Culture 

Concept Development: Pamela Erbetta, Lea Kayrouz 

Research: Lea Kayrouz 

Artistic Consultant: Pamela Erbetta 

Architecture Development: Alex Tzortsis de Paz 

Project Manager:  Gabriele Pascolini 

Project Coordinator And Territorial Expert:  Gaetano di Ballo 

Composer: Youmna Saba

Sound Design: Andrea Gerlando Terrana 

Lullaby Workshop Conductors: Veronica Racito, Michele Piccione 

Construction:  Jesse Gagliardi 

Construction Assistant: Andréa Cardoso, Catarina Fernandes 

Upholsterers: Salvatore e Isabella di Giacomo 

Visual Identity: Lama Zouein 

Video And Photo Documentation:  Davide Amato, Panna Eszenyi 

Silent Room Keeper:  Rita Bonsignore, Adomah Westimy 

Hospitality Coordinator: Elvira Mangione 

With the participation of Coro Villabella, Volontariato Vincenziano, Gruppo Missionario, Pippo Rizzo, Pro Music Studio, Adomah Westimy, Adriana Lopez, Alvaro Diaz, Alessandro Di Stefano, Andrea Cardoso, Calogero Maria Coniglio, Catarina Fernandes, Celine Jaeger, Daniela Civiltà, Eleonora Tsaousi, Felipe Silva, Federico De Marni, Giovanni Emiliano Grasso, Giovanni Tuzzolino, Giuseppe Mirabile, Imane Qazbour, Laura Horvath, Maria Grazia Abate, Mihai Ghinet, Naiara González, Noemi Weiss, Olga Dernova, Rita Bonsignore, Roberta Canzoneri, Salvatore Russello, Saúl Torres, Stefano Castronovo, Vincenza Sabrina D'Anna, Adriana Spoto, Angela Sciortino, Antonella Brucceri, Antonia Spoto, Concetta Attardo, Dina Graceffa, Domenica Catuara, Enza Cannella, Marcella Puletto, Maria Teresa Zammuto, Maria Zaccaria, Maurizio Stagno, Patrizia Geraci, Pippo Rizzo, Rosalia Pirrone, Rosetta Zaccaria, Sonia Cannistraro

Supported by Fontes Episcopi, Vela Wine 


Email
Instagram

Archdaily, The Guardian, Dezeen, Wallpaper, Frame, Yatzer, Disegno, Design Milk, Elle Decor, STIRworld, Institut français Magazine, Monocle, The Financial Times

©2025 Nathalie Harb Studio. All rights reserved.      Designed by Lama Zouein